Night Work
Laurie R. King
Kate and her partner, Al Hawkin, are called to a scene of carefully executed murder: the victim is a muscular man, handcuffed and strangled, a stun gun’s faint burn on his chest and candy in his pocket. The likeliest person to want him dead, his often-abused wife, is meek and frail — and has an airtight alibi. Kate and Al are stumped, until a second body turns up — also zapped, cuffed, and strangled… and carrying a candy bar. This victim: a convicted rapist. As newspaper headlines speculate about vendetta killings, a third death draws Kate and Al into a network of pitiless destruction that reaches far beyond San Francisco, a modern-style hit list with shudderingly primal roots.
For a brief but intense moment, Kate thought that she was being attacked by a wild woman with blood on her teeth. She could almost smell the blood, splashed around the woman in a pool, and then the hallucination faded, leaving her to gaze in mingled amazement and horror at the image before her.
The painting on the wall was enough to give a man nightmares. It showed a woman of sorts, but this was a woman who would have caused a playboy to shrivel, would have given pause to the most ardent feminist, would have a Freudian rapidly retracting that plaintive, worn, masculine query concerning what women wanted.
For what this lady wanted was blood.
And had it, as Kate could well see. The deep blue, larger-than-life female was wading through a lake of the stuff, splashing it around, looking drunk with it. Kate recognized her instantly as Kali with the necklace of skulls and the belt of human hands, laughing her terrible pleasure at the decapitated head she held up in one of her four arms.
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Details
ISBN | 553578251 |
Genre | Mystery |
Publication Date | 28-Nov-00 |
Publisher | Bantam |
Format | Mass Market Paperback |
No. of Pages | 416 |
Series | Kate Martinelli Mystery |
# in Series | 4 |
Notes | Laurie King’s first Kate Martinelli mystery, A Grave Talent, won Best First Novel honors from both the Mystery Writers of America and the British Crime Writers’ Association. In this fourth installment in the series, King once again displays her talent as both a prose stylist and a masterful plotter in a case that proves to be personally harrowing for her heroine.
While attending a school play one evening, Detective Martinelli gets what appears to be a routine page about a homicide. The murder victim is James Larsen, an airport baggage handler found in the Presidio, handcuffed, strangled, and with stun-gun burns on his chest. And apparently he had a sweet tooth, given the candies found in his pocket. When it comes out that Larsen was an abusive husband whose wife now lives in a shelter, Martinelli’s list of suspects takes a distasteful turn. Could the perpetrator be connected with the Ladies of Perpetual Disgruntlement, the group of secretive women (or men) who’ve lately been terrorizing abusers and rapists around the city with their humorous, updated version of the tar-and-feather treatment? Could it be Larsen’s wife, a mousy woman who, nonetheless, is clearly harboring some secrets? Could it be Roz Hall, Martinelli’s social crusading feminist minister friend? In each case, rage would be justified, but not murder. When two additional murder victims with similar profiles–and pockets full of candy–surface, the San Francisco media takes an interest in this latest instance of vigilante justice. The investigation is further complicated by Roz’s very public interest in the case of a young Indian bride who she believes was murdered. As Martinelli and her partner Al Hawkins try to sort through the mire of emotional entanglements, personal politics, and public scrutiny, King deftly maneuvers her tale through several carefully crafted turns. The novel is also threaded with Hindu spirituality and images of the dark goddess Kali, a vengeful figure perfectly appropriate in a novel about victimized women striking back. –Patrick O’Kelley |
Language | English |
Rating | NotRated |
BookID | 8857 |