Queer Italia by Gary P. Cestaro

Queer Italia gathers essays on Italian literature and film, medieval to modern. The volume's chronological organization reflects its intention to define a queer tradition in Italian culture. While fully cognizant of the theoretical risks inherent in trans-historicizing sexuality, the contributors to this volume share an interest in probing the multi-form dynamics of sexual desires in Italian texts through the centuries. Contents in 12 Chapters: The Dead Sea of Sodomy Giordano da Pisa on Men Who Have Sex With Men, Bibbiena's Closet Interpretation and the Sexual Culture of a Renaissance Papal Court, Knots of Desire Female Homoeroticism in Orlando Furioso 25, ACTing UP in the Renaissance The Case of Benvenuto Cellini, Nature is a Mother Most Sweet Homosexuality in Sixteenth- and Seventeenth-Century Italian Libertinism, Tra(ns)vesting Gender and Genre in Flaminio Scala's II (finto) Marito, Beauty and the Beast Lesbians in Literature and Sexual Science from the Nineteenth to the Twentieth Centuries, Desire and Disavowal in Liliana Cavani's German Trilogy, Adapting to Heterocentricity: The Film Versions of Umberto Saba's Ernesto and Giorgio Bassani's The Gold- Rimmed Spectacles, Reluctantly Queer In Search of the Homoerotic Novel in Twentieth-Century Italian Fiction, Secret Wounds The Bodies of Fascism in Giorgio Bassani's Dietro la Porta, and Transitive Gender and Queer Performance in the Novels of Mario Mieli and Vittorio Pescatori.