Postwar America wanted women contained—in aprons, in suburbs, in the narrow space where silence lived. What it got instead was the lesbian, flickering across comic pages and drive-in screens and pulp paperback covers. The lesbian as cultural spectacle: menacing one moment, ridiculous the next, tragic, subversive, impossible to fully suppress.
Brickman traces five archetypes the culture kept returning to: the sicko, the monster, the spinster, the Amazon, the rebel. The culture’s obsession with managing female sexuality—with shutting it down, making it legible, rendering it safe—didn’t neutralize these figures. It amplified them.
Camp became the tool. That mode of ironic excess and performative defiance turned the era’s disciplinary anxiety into something queers could weaponize. The culture’s own panic became material. The jokes told about lesbians became jokes lesbians could tell back.
The book opens with images that make the panic visible: Wonder Woman unraveling, begging Steve to stop her from herself. A sorority queen crashing her convertible in shame. Brickman uses these moments to ask what it meant that mainstream culture kept producing them. Why the obsession? Why the repetition?
The answer is more complex than simple subversion. These figures were cruel jokes. They were also, for some audiences, oxygen. A way to see yourself reflected even in distortion. Even in contempt. Even in the culture’s attempt to mock you into compliance.
The first major academic study of lesbian camp in American popular culture. It earns what it claims.
Details
| ISBN: 9781978828254 |
| Subtitle: |
| Genre: Film and Television; Arts & Photography; Popular Culture |
| Subject(s): Art; Film; History & Criticism; Humor; Lesbian Studies; LGBTQ; LGBTQ+ Studies; Performing Arts; Popular Culture; Social Science; Topic |
| Publication Date: 2023-11-10 |
| Original Publication Date: |
| Publisher: Rutgers University Press |
| Language: English |
| Format: Paperback |
| Pages: 245 |
| Rating: |
| Notes: Barbara Jane Brickman teaches media studies and film at the University of Alabama. Suffering Sappho! extends the scholarly conversation around camp — most associated with gay male culture since Susan Sontag’s 1964 essay — into specifically lesbian territory, an area that has received comparatively little academic attention. |
| Book_ID: 106036 |