Nicola Griffith; Stephen Pagel | Bending the Landscape | On the heels of the phenomenal success and acclaim of Volume I (Science Fiction), Bending the Landscape: Horror brings together a tantalizing slew of
Karin Kallmaker | Stepping Stone | Motion picture producer Selena Ryan has the impossible: Fame and fortune and her integrity. Her reputation for playing fair in an industry rife with g
Frank Marcus | The Killing of Sister George | Author Frank Marcus was once The Sunday Telegraph’s distinguished drama critic, and when he laid pen to paper for this play, he captured a powerful st
Dorothy Baker | Cassandra at the Wedding | Cassandra’s identical twin, Judith, is to be married to a nice young doctor and Cassandra (brilliant, nervewracked, gay, miserable) is hell-bent on sa
Amber Dawn | Fist Of The Spider Woman | Traditional horror has often portrayed female characters in direct relation to their sexual role according to men, such as the lascivious victim or in
George Henry Smith; March Hastings | Lash of Desire / Pillow Tramp | Both novels first appeared in 1959 – the Hastings as ‘Demands of the Flesh’ and the Smith as ‘Soft Whip of Passion’
Deborah Cohler | Citizen, Invert, Queer | In late nineteenth-century England, “mannish” women were considered socially deviant but not homosexual. A half-century later, such masculinity equale
Karin Kallmaker | Touchwood | Twenty-nine-year-old Rayann Germaine, betrayed by her lover, flees in grief and rage. She meets rare book store owner Louisa Thatcher, a woman many ye
Lee Winter | Requiem For Immortals | Professional cellist Natalya Tsvetnenko moves seamlessly among the elite where she fills the souls of symphony patrons with beauty even as she takes t
