{"id":12800,"date":"2019-06-26T04:55:41","date_gmt":"2019-06-26T04:55:41","guid":{"rendered":"https:\/\/lesbianfunworld.com\/books\/?p=12800"},"modified":"2019-06-26T04:55:41","modified_gmt":"2019-06-26T04:55:41","slug":"love-belongs-to-those-who-do-the-feeling-by-judy-grahn","status":"publish","type":"post","link":"https:\/\/lesbianfunworld.com\/books\/love-belongs-to-those-who-do-the-feeling-by-judy-grahn\/","title":{"rendered":"Love Belongs to Those who Do the Feeling by Judy Grahn"},"content":{"rendered":"
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Love Belongs to Those who Do the Feeling<\/em><\/h2>\n

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Judy Grahn<\/h2>\n<\/div>\n
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From Publishers Weekly<\/p>\n

One of the first American poets to celebrate radical feminism and lesbian desire without apology or disguise, the California-based Grahn has been known for that work ever since: The Common Woman Poems (1972) earned grassroots admiration and subcultural cachet for such portraits as Carol, in the park, chewing on straws, who has taken a woman lover, who goes as far\/ as women can go without protection\/ from men. Here are Grahn’s famous poems again, both the direct Movement poetry of the 1970s and the 1980s verse derived from feminist rereadings of myth. Two sequences about Helen of Troy are, at their best, at once comic, demotic and sexy, not to mention sexually explicit. Grahn’s prefaces (to the whole volume, then to each segment) strike oddly boastful notes: I am conscientiously criss-crossing time and space barriers, she says of her Helen poems. So I have intended to shatter the myth. Her poems can seem rough, raw, intentionally unfinished, meant less for the printed page than for the voice or for the stage. Young readers will have no trouble imagining how much of an inspiration these lines might have been. Just 21 pages hold work from the past 20 years. This is an energetic look at Grahn’s eventful career. (Jan.)<\/p>\n

Copyright \u00a9 Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.<\/p>\n

Review<\/p>\n

I am thrilled that Judy Grahn’s amazing poetry will once again become available to a new generation. She is a phenomenon–a fierce poet of witness and action, a visionary, with a tough and compassionate heart and a piercing intelligence, rooted in a spirituality that locates the sacred in the belly of the profane. And what a writer! Look at her wit, her compression, her ear for rhythms and sounds, her instinct for dialogic tension, her ability to compose large structures held together as in music by expected and unexpected recurrences, her common woman’s twentieth century vocabulary along with ancient and archaic uses of language: naming as ritual, cursing, keening, spell- casting. Anyone who reads Grahn will be changed for life. Repeat: for life.<\/p>\n

–Alicia Ostriker<\/p><\/div>\n

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