{"id":27664,"date":"2018-06-12T16:33:15","date_gmt":"2018-06-12T16:33:15","guid":{"rendered":"https:\/\/lesbianfunworld.com\/books\/?p=27664"},"modified":"2020-06-20T19:06:54","modified_gmt":"2020-06-20T19:06:54","slug":"no-language-is-neutral-by-dionne-brand","status":"publish","type":"post","link":"https:\/\/lesbianfunworld.com\/books\/no-language-is-neutral-by-dionne-brand\/","title":{"rendered":"No Language Is Neutral by Dionne Brand"},"content":{"rendered":"
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No Language Is Neutral<\/em><\/h2>\n

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Dionne Brand<\/h2>\n<\/div>\n
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Dionne Brand\u2019s No Language Is Neutral (1990) is a set of poems that can be understood as a meditation on migration. The book addresses the theme of movement from one location to another as it describes a journey from the Caribbean to Canada. In doing so, it outlines (and asks questions about) a conception of identity that is influenced by movement, dislocation, and variability. Brand\u2019s engagement with migration also asks questions about the nation-state; Benedict Anderson regards the nation-state as the result of a collective imagining that is shaped by hegemonic or dominant values (44), and writers like Brand question this illusion of cultural unity. The following sections of this chapter summarize some scholarly debates that have taken place around No Language Is Neutral and outline some strategies for interpreting how Brand treats the experience of migration and related topics.<\/div>\n
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No Language Is Neutral belongs to traditions of Canadian, Caribbean, postcolonial, and postmodernist writing. Its title comes from Derek Walcott\u2019s Midsummer (1984), which conceives of the English language as \u201ca murmurous cathedral \/ where some took umbrage, some peace, but every shade, all, \/ helped widen its shadow\u201d (LII 15-17). Brand\u2019s book begins with descriptions of a landscape and an identity that have been shaped by the traumas of slavery. Subsequent sections include poems addressed to women who took part in Grenada\u2019s revolutionary government in the late 1970s and early 1980s (a left-wing movement that emphasized literacy and was overthrown in 1983 by an American-led invasion); the titular sequence, featuring a meditation on the speaker\u2019s grandmother and experiences of alienation in Toronto; and a final exploration of language and sexual orientation. ~ Carl Watts<\/div>\n
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