{"id":44817,"date":"2026-08-30T00:00:00","date_gmt":"2026-08-30T00:00:00","guid":{"rendered":"https:\/\/lesbianfunworld.com\/books\/a-love-letter-to-this-bridge-called-my-back-by-gloria-j-wilson\/"},"modified":"2026-08-30T00:00:00","modified_gmt":"2026-08-30T00:00:00","slug":"a-love-letter-to-this-bridge-called-my-back-by-gloria-j-wilson","status":"publish","type":"post","link":"https:\/\/lesbianfunworld.com\/books\/a-love-letter-to-this-bridge-called-my-back-by-gloria-j-wilson\/","title":{"rendered":"A Love Letter To This Bridge Called My Back by Gloria J. Wilson"},"content":{"rendered":"\n<div style=\"font-size: 17px;\">\r\n\r\nIn 1981, Chicana feminist intellectuals Cherr e Moraga and Gloria Anzald a published what would become a touchstone work for generations of feminist women of color the seminal This Bridge Called My Back: Writings by Radical Women of Color. To celebrate and honor this important work, editors gloria j. wilson, Joni B. Acuff, and Amelia M. Kraehe offer new generations A Love Letter to This Bridge Called My Back.  In A Love Letter, creators illuminate, question, and respond to current politics, progressive struggles, transformations, acts of resistance, and solidarity, while also offering readers a space for renewal and healing. The central theme of the original Bridge is honored, exposing the lived realities of women of color at the intersections of race, class, gender, ethnicity, and sexuality, advancing those early conversations on what it means to be Third World feminist conscious.  A Love Letter recognizes the challenges faced by women of color in a twenty-first-century world of climate and economic crises, increasing gun violence, and ever-changing social media constructs for women of color. It also retains the clarion call Bridge set in motion, as Moraga wrote:  A theory in the flesh means one where the physical realities of our lives our skin color, the land or concrete we grew up on, our sexual longing all fuse to create a politic born of necessity.\r\n\r\n&nbsp;\r\n\r\n<\/div>\r\n\r\n<hr \/>\r\n\r\n<div>\r\n<h2>Details<\/h2>\r\n<table class=\"TFtable\">\r\n<tbody>\r\n<tr>\r\n<td><strong>Title: <\/strong>\u00a0A Love Letter To This Bridge Called My Back<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Author: <\/strong>\u00a0Gloria J. Wilson<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>ISBN: <\/strong>\u00a09780820000000<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Subtitle: <\/strong>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Genre: <\/strong>\u00a0Literary Criticism; Black Interest<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Subject(s): <\/strong>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Publication Date: <\/strong>\u00a044719<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Original Publication Date: <\/strong>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Publisher: <\/strong>\u00a0University of Arizona Press<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Language: <\/strong>\u00a0English<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Format: <\/strong>\u00a0Paperback<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Pages: <\/strong>\u00a0325<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Rating: <\/strong>\u00a0\u00a0 <\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Notes: <\/strong>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Book_ID: <\/strong>\u00a0119309<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In 1981, Chicana feminist intellectuals Cherr e Moraga and Gloria Anzald a published what would become a touchstone work for generations of feminist women of color the seminal This Bridge Called My Back: Writings by Radical Women of Color. To celebrate and honor this important work, editors gloria j. wilson, Joni B. Acuff, and Amelia M. Kraehe offer new generations A Love Letter to This Bridge Called My Back.  In A Love Letter, creators illuminate, question, and respond to current politics, progressive struggles, transformations, acts of resistance, and solidarity, while also offering readers a space for renewal and healing. The central theme of the original Bridge is honored, exposing the lived realities of women of color at the intersections of race, class, gender, ethnicity, and sexuality, advancing those early conversations on what it means to be Third World feminist conscious.  A Love Letter recognizes the challenges faced by women of color in a twenty-first-century world of climate and economic crises, increasing gun violence, and ever-changing social media constructs for women of color. It also retains the clarion call Bridge set in motion, as Moraga wrote:  A theory in the flesh means one where the physical realities of our lives our skin color, the land or concrete we grew up on, our sexual longing all fuse to create a politic born of necessity.<\/p>\n","protected":false},"author":3,"featured_media":44818,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4315,4375],"tags":[],"class_list":["post-44817","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-black-interest","category-literary-criticism"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.9 (Yoast SEO v28.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>A Love Letter To This Bridge Called My Back<\/title>\n<meta name=\"description\" content=\"In 1981, Chicana feminist intellectuals Cherr e Moraga and Gloria Anzald a published what would become a touchstone work for generations of feminist women of color the seminal This Bridge Called My Back: Writings by Radical Women of Color. To celebrate and honor this important work, editors gloria j. wilson, Joni B. Acuff, and Amelia M. Kraehe offer new generations A Love Letter to This Bridge Called My Back. In A Love Letter, creators illuminate, question, and respond to current politics, progressive struggles, transformations, acts of resistance, and solidarity, while also offering readers a space for renewal and healing. The central theme of the original Bridge is honored, exposing the lived realities of women of color at the intersections of race, class, gender, ethnicity, and sexuality, advancing those early conversations on what it means to be Third World feminist conscious. A Love Letter recognizes the challenges faced by women of color in a twenty-first-century world of climate and economic crises, increasing gun violence, and ever-changing social media constructs for women of color. It also retains the clarion call Bridge set in motion, as Moraga wrote: A theory in the flesh means one where the physical realities of our lives our skin color, the land or concrete we grew up on, our sexual longing all fuse to create a politic born of necessity.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lesbianfunworld.com\/books\/a-love-letter-to-this-bridge-called-my-back-by-gloria-j-wilson\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Love Letter To This Bridge Called My Back by Gloria J. 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To celebrate and honor this important work, editors gloria j. wilson, Joni B. Acuff, and Amelia M. Kraehe offer new generations A Love Letter to This Bridge Called My Back. In A Love Letter, creators illuminate, question, and respond to current politics, progressive struggles, transformations, acts of resistance, and solidarity, while also offering readers a space for renewal and healing. The central theme of the original Bridge is honored, exposing the lived realities of women of color at the intersections of race, class, gender, ethnicity, and sexuality, advancing those early conversations on what it means to be Third World feminist conscious. A Love Letter recognizes the challenges faced by women of color in a twenty-first-century world of climate and economic crises, increasing gun violence, and ever-changing social media constructs for women of color. 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