{"id":45035,"date":"2026-09-30T19:21:23","date_gmt":"2026-09-30T19:21:23","guid":{"rendered":"https:\/\/lesbianfunworld.com\/books\/lovers-and-beloveds-by-gary-richards\/"},"modified":"2026-09-30T19:22:19","modified_gmt":"2026-09-30T19:22:19","slug":"lovers-and-beloveds-by-gary-richards","status":"publish","type":"post","link":"https:\/\/lesbianfunworld.com\/books\/lovers-and-beloveds-by-gary-richards\/","title":{"rendered":"Lovers and Beloveds by Gary Richards"},"content":{"rendered":"\n<div style=\"font-size: 17px;\">\r\n\r\nGary Richards shows that sexuality, and same-sex desire in particular, was central to the Southern Renaissance. In the 1940s and 1950s the literary establishment tacitly treated the South as an acceptable setting for fictional &#8216;deviancy,&#8217; giving Southern writers freedom to explore sexual otherness. Richards reads Truman Capote, William Goyen, Harper Lee, Carson McCullers, Lillian Smith and Richard Wright, pairing forgotten texts with canonical ones, to show how they reimagine gender roles, center homoeroticism and connect it to class, race, sex and Southern identity.\r\n\r\n&nbsp;\r\n\r\n<\/div>\r\n\r\n<hr \/>\r\n\r\n<div>\r\n<h2>Details<\/h2>\r\n<table class=\"TFtable\">\r\n<tbody>\r\n<tr>\r\n<td><strong>Title: <\/strong>\u00a0Lovers and Beloveds<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Author: <\/strong>\u00a0Gary Richards<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>ISBN: <\/strong>\u00a09780810000000<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Subtitle: <\/strong>\u00a0Sexual Otherness in Southern Fiction, 1936-1961<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Genre: <\/strong>\u00a0LGBT Studies\/Social Sciences; Literary Criticism<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Subject(s): <\/strong>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Publication Date: <\/strong>\u00a039203<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Original Publication Date: <\/strong>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Publisher: <\/strong>\u00a0LSU Press<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Language: <\/strong>\u00a0English<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Format: <\/strong>\u00a0Paperback<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Pages: <\/strong>\u00a0256<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Rating: <\/strong>\u00a0\u00a0 <\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Notes: <\/strong>\u00a0Includes Carson McCullers and Lillian Smith.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Book_ID: <\/strong>\u00a0119002<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Gary Richards shows that sexuality, and same-sex desire in particular, was central to the Southern Renaissance. In the 1940s and 1950s the literary establishment tacitly treated the South as an acceptable setting for fictional &#8216;deviancy,&#8217; giving Southern writers freedom to explore sexual otherness. Richards reads Truman Capote, William Goyen, Harper Lee, Carson McCullers, Lillian Smith and Richard Wright, pairing forgotten texts with canonical ones, to show how they reimagine gender roles, center homoeroticism and connect it to class, race, sex and Southern identity.<\/p>\n","protected":false},"author":3,"featured_media":46248,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4317,4375],"tags":[],"pub_year":[],"class_list":["post-45035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lgbt-studies-social-sciences","category-literary-criticism"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.6 (Yoast SEO v28.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Lovers and Beloveds<\/title>\n<meta name=\"description\" content=\"Gary Richards shows that sexuality, and same-sex desire in particular, was central to the Southern Renaissance. 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In the 1940s and 1950s the literary establishment tacitly treated the South as an acceptable setting for fictional &#039;deviancy,&#039; giving Southern writers freedom to explore sexual otherness. 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