{"id":45057,"date":"2026-09-30T19:20:32","date_gmt":"2026-09-30T19:20:32","guid":{"rendered":"https:\/\/lesbianfunworld.com\/books\/the-gendered-screen-by-george-melnyk-brenda-austin-smith\/"},"modified":"2026-09-30T19:20:53","modified_gmt":"2026-09-30T19:20:53","slug":"the-gendered-screen-by-george-melnyk-brenda-austin-smith","status":"publish","type":"post","link":"https:\/\/lesbianfunworld.com\/books\/the-gendered-screen-by-george-melnyk-brenda-austin-smith\/","title":{"rendered":"The Gendered Screen by George Melnyk; Brenda Austin-Smith"},"content":{"rendered":"\n<div style=\"font-size: 17px;\">\r\n\r\nThe first major study of Canadian women filmmakers since Gendering the Nation (1999). Essays discuss Deepa Mehta, Anne Wheeler, Mina Shum, Lynne Stopkewich, L a Pool and Patricia Rozema, and newer filmmakers such as Andrea Dorfman, Sylvia Hamilton and new media video artists. Contributors take an open, inclusive feminist approach in which hybridity, transnationality, race and sexual orientation challenge older ideas of national cinema, with essays on the transnational filmmaker, the queer filmmaker, the feminist filmmaker, the documentarist and the video artist.\r\n\r\n&nbsp;\r\n\r\n<\/div>\r\n\r\n<hr \/>\r\n\r\n<div>\r\n<h2>Details<\/h2>\r\n<table class=\"TFtable\">\r\n<tbody>\r\n<tr>\r\n<td><strong>Title: <\/strong>\u00a0The Gendered Screen<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Author: <\/strong>\u00a0George Melnyk; Brenda Austin-Smith<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>ISBN: <\/strong>\u00a09781550000000<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Subtitle: <\/strong>\u00a0Canadian Women Filmmakers<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Genre: <\/strong>\u00a0Anthology &#8211; Nonfiction; Canadian Eh; Film and Television<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Subject(s): <\/strong>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Publication Date: <\/strong>\u00a040318<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Original Publication Date: <\/strong>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Publisher: <\/strong>\u00a0Wilfrid Laurier University Press<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Language: <\/strong>\u00a0English<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Format: <\/strong>\u00a0Paperback<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Pages: <\/strong>\u00a0282<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Rating: <\/strong>\u00a0\u00a0 <\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Notes: <\/strong>\u00a0Edited by Brenda Austin-Smith and George Melnyk. Includes essays on queer filmmakers such as Patricia Rozema and L a Pool. Setting: Canada.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Book_ID: <\/strong>\u00a0118980<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The first major study of Canadian women filmmakers since Gendering the Nation (1999). Essays discuss Deepa Mehta, Anne Wheeler, Mina Shum, Lynne Stopkewich, L a Pool and Patricia Rozema, and newer filmmakers such as Andrea Dorfman, Sylvia Hamilton and new media video artists. Contributors take an open, inclusive feminist approach in which hybridity, transnationality, race and sexual orientation challenge older ideas of national cinema, with essays on the transnational filmmaker, the queer filmmaker, the feminist filmmaker, the documentarist and the video artist.<\/p>\n","protected":false},"author":3,"featured_media":46292,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4357,4316,4378],"tags":[],"pub_year":[],"class_list":["post-45057","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anthology-nonfiction","category-canadian-eh","category-film-and-television"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.6 (Yoast SEO v28.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>The Gendered Screen<\/title>\n<meta name=\"description\" content=\"The first major study of Canadian women filmmakers since Gendering the Nation (1999). 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