{"id":45073,"date":"2026-09-30T19:20:22","date_gmt":"2026-09-30T19:20:22","guid":{"rendered":"https:\/\/lesbianfunworld.com\/books\/the-witchs-flight-by-kara-keeling\/"},"modified":"2026-09-30T19:20:51","modified_gmt":"2026-09-30T19:20:51","slug":"the-witchs-flight-by-kara-keeling","status":"publish","type":"post","link":"https:\/\/lesbianfunworld.com\/books\/the-witchs-flight-by-kara-keeling\/","title":{"rendered":"The Witch&#8217;s Flight by Kara Keeling"},"content":{"rendered":"\n<div style=\"font-size: 17px;\">\r\n\r\nKara Keeling argues that cinema and cinematic processes were profoundly significant for twentieth-century Black liberation movements in the United States. Drawing on Gilles Deleuze&#8217;s idea of &#8216;the cinematic&#8217; as part of how social reality is produced, she shows how it structures racism, homophobia and misogyny, and theorizes the Black femme as a figure who haunts dominant representations and threatens to reveal alternative social arrangements. Keeling follows the Black femme through Sankofa, images of women in the Black Panther Party, Pam Grier&#8217;s blaxploitation roles, Set It Off and Eve&#8217;s Bayou.\r\n\r\n&nbsp;\r\n\r\n<\/div>\r\n\r\n<hr \/>\r\n\r\n<div>\r\n<h2>Details<\/h2>\r\n<table class=\"TFtable\">\r\n<tbody>\r\n<tr>\r\n<td><strong>Title: <\/strong>\u00a0The Witch&#8217;s Flight<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Author: <\/strong>\u00a0Kara Keeling<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>ISBN: <\/strong>\u00a09780820000000<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Subtitle: <\/strong>\u00a0The Cinematic, the Black Femme, and the Image of Common Sense<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Genre: <\/strong>\u00a0Black Interest; Film and Television; Lesbian Studies<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Subject(s): <\/strong>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Publication Date: <\/strong>\u00a039391<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Original Publication Date: <\/strong>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Publisher: <\/strong>\u00a0Duke University Press<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Language: <\/strong>\u00a0English<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Format: <\/strong>\u00a0Paperback<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Pages: <\/strong>\u00a0209<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Rating: <\/strong>\u00a0\u00a0 <\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Notes: <\/strong>\u00a0Perverse Modernities series.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Book_ID: <\/strong>\u00a0118905<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Kara Keeling argues that cinema and cinematic processes were profoundly significant for twentieth-century Black liberation movements in the United States. Drawing on Gilles Deleuze&#8217;s idea of &#8216;the cinematic&#8217; as part of how social reality is produced, she shows how it structures racism, homophobia and misogyny, and theorizes the Black femme as a figure who haunts dominant representations and threatens to reveal alternative social arrangements. Keeling follows the Black femme through Sankofa, images of women in the Black Panther Party, Pam Grier&#8217;s blaxploitation roles, Set It Off and Eve&#8217;s Bayou.<\/p>\n","protected":false},"author":3,"featured_media":46324,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4315,4378,4354],"tags":[],"pub_year":[],"class_list":["post-45073","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-black-interest","category-film-and-television","category-lesbian-studies"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.6 (Yoast SEO v28.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>The Witch&#039;s Flight<\/title>\n<meta name=\"description\" content=\"Kara Keeling argues that cinema and cinematic processes were profoundly significant for twentieth-century Black liberation movements in the United States. 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Keeling follows the Black femme through Sankofa, images of women in the Black Panther Party, Pam Grier&#039;s blaxploitation roles, Set It Off and Eve&#039;s Bayou.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lesbianfunworld.com\/books\/the-witchs-flight-by-kara-keeling\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Witch&#039;s Flight by Kara Keeling\" \/>\n<meta property=\"og:description\" content=\"Kara Keeling argues that cinema and cinematic processes were profoundly significant for twentieth-century Black liberation movements in the United States. Drawing on Gilles Deleuze&#039;s idea of &#039;the cinematic&#039; as part of how social reality is produced, she shows how it structures racism, homophobia and misogyny, and theorizes the Black femme as a figure who haunts dominant representations and threatens to reveal alternative social arrangements. 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