{"id":45140,"date":"2026-09-30T19:19:39","date_gmt":"2026-09-30T19:19:39","guid":{"rendered":"https:\/\/lesbianfunworld.com\/books\/inconsequence-by-annamarie-jagose-2\/"},"modified":"2026-09-30T19:20:40","modified_gmt":"2026-09-30T19:20:40","slug":"inconsequence-by-annamarie-jagose-2","status":"publish","type":"post","link":"https:\/\/lesbianfunworld.com\/books\/inconsequence-by-annamarie-jagose-2\/","title":{"rendered":"Inconsequence by Annamarie Jagose"},"content":{"rendered":"\n<div style=\"font-size: 17px;\">\r\n\r\nLesbian studies has often been framed around invisibility. Annamarie Jagose argues that the preoccupation with visibility is part of the problem it tries to solve, and that the difference between heterosexuality and homosexuality depends less on visual recognition than on a cultural attachment to sexual sequence: what comes first and what comes second, which also implies precedence. Reading novels by Charles Dickens, Henry James, Virginia Woolf and Daphne du Maurier, she shows how pairs such as first and second, origin and outcome, and heterosexual and homosexual reinforce heterosexual precedence. The book intervenes in lesbian historiography, from the fin-de-si cle codification of sexual types to a post-Kinsey pulp sexology text, arguing that all categories of sexual identity are belated back-formations.\r\n\r\n&nbsp;\r\n\r\n<\/div>\r\n\r\n<hr \/>\r\n\r\n<div>\r\n<h2>Details<\/h2>\r\n<table class=\"TFtable\">\r\n<tbody>\r\n<tr>\r\n<td><strong>Title: <\/strong>\u00a0Inconsequence<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Author: <\/strong>\u00a0Annamarie Jagose<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>ISBN: <\/strong>\u00a09781500000000<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Subtitle: <\/strong>\u00a0Lesbian Representation and the Logic of Sexual Sequence<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Genre: <\/strong>\u00a0Lesbian Studies; Literary Criticism<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Subject(s): <\/strong>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Publication Date: <\/strong>\u00a043318<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Original Publication Date: <\/strong>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Publisher: <\/strong>\u00a0Cornell University Press<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Language: <\/strong>\u00a0English<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Format: <\/strong>\u00a0Digital\/E-Book<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Pages: <\/strong>\u00a0240<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Rating: <\/strong>\u00a0\u00a0 <\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Notes: <\/strong>\u00a0First published by Cornell University Press, 2002.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Book_ID: <\/strong>\u00a0118806<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Lesbian studies has often been framed around invisibility. Annamarie Jagose argues that the preoccupation with visibility is part of the problem it tries to solve, and that the difference between heterosexuality and homosexuality depends less on visual recognition than on a cultural attachment to sexual sequence: what comes first and what comes second, which also implies precedence. Reading novels by Charles Dickens, Henry James, Virginia Woolf and Daphne du Maurier, she shows how pairs such as first and second, origin and outcome, and heterosexual and homosexual reinforce heterosexual precedence. The book intervenes in lesbian historiography, from the fin-de-si cle codification of sexual types to a post-Kinsey pulp sexology text, arguing that all categories of sexual identity are belated back-formations.<\/p>\n","protected":false},"author":3,"featured_media":46458,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4354,4375],"tags":[],"pub_year":[],"class_list":["post-45140","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lesbian-studies","category-literary-criticism"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.6 (Yoast SEO v28.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Inconsequence<\/title>\n<meta name=\"description\" content=\"Lesbian studies has often been framed around invisibility. Annamarie Jagose argues that the preoccupation with visibility is part of the problem it tries to solve, and that the difference between heterosexuality and homosexuality depends less on visual recognition than on a cultural attachment to sexual sequence: what comes first and what comes second, which also implies precedence. Reading novels by Charles Dickens, Henry James, Virginia Woolf and Daphne du Maurier, she shows how pairs such as first and second, origin and outcome, and heterosexual and homosexual reinforce heterosexual precedence. The book intervenes in lesbian historiography, from the fin-de-si cle codification of sexual types to a post-Kinsey pulp sexology text, arguing that all categories of sexual identity are belated back-formations.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lesbianfunworld.com\/books\/inconsequence-by-annamarie-jagose-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Inconsequence by Annamarie Jagose\" \/>\n<meta property=\"og:description\" content=\"Lesbian studies has often been framed around invisibility. Annamarie Jagose argues that the preoccupation with visibility is part of the problem it tries to solve, and that the difference between heterosexuality and homosexuality depends less on visual recognition than on a cultural attachment to sexual sequence: what comes first and what comes second, which also implies precedence. Reading novels by Charles Dickens, Henry James, Virginia Woolf and Daphne du Maurier, she shows how pairs such as first and second, origin and outcome, and heterosexual and homosexual reinforce heterosexual precedence. 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