{"id":45143,"date":"2026-09-30T19:19:38","date_gmt":"2026-09-30T19:19:38","guid":{"rendered":"https:\/\/lesbianfunworld.com\/books\/cold-war-femme-by-robert-j-corber-2\/"},"modified":"2026-09-30T19:20:39","modified_gmt":"2026-09-30T19:20:39","slug":"cold-war-femme-by-robert-j-corber-2","status":"publish","type":"post","link":"https:\/\/lesbianfunworld.com\/books\/cold-war-femme-by-robert-j-corber-2\/","title":{"rendered":"Cold War Femme by Robert J. Corber"},"content":{"rendered":"\n<div style=\"font-size: 17px;\">\r\n\r\nIn his bestselling The Grapevine: A Report on the Secret World of the Lesbian (1965), Jess Stearn announced that most lesbians looked no different from other women: some were sex symbols, some were married to unsuspecting husbands. Robert J. Corber argues that The Grapevine exemplified a homophobic Cold War discourse that cast the femme as an invisible threat to the nation, fed by fears that college-educated women would reject marriage and motherhood and weaken the American family against totalitarianism. Where early twentieth-century homophobia defined the lesbian as a masculine woman, the Cold War reconceived her as a woman attracted to other women. Corber traces this shift through Hollywood films of the 1950s and 1960s, including All About Eve, The Children&#8217;s Hour and Marnie, and through the careers of Joan Crawford, Bette Davis and Doris Day.\r\n\r\n&nbsp;\r\n\r\n<\/div>\r\n\r\n<hr \/>\r\n\r\n<div>\r\n<h2>Details<\/h2>\r\n<table class=\"TFtable\">\r\n<tbody>\r\n<tr>\r\n<td><strong>Title: <\/strong>\u00a0Cold War Femme<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Author: <\/strong>\u00a0Robert J. Corber<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>ISBN: <\/strong>\u00a09780820000000<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Subtitle: <\/strong>\u00a0Lesbianism, National Identity, and Hollywood Cinema<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Genre: <\/strong>\u00a0Film and Television; History; Lesbian Studies<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Subject(s): <\/strong>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Publication Date: <\/strong>\u00a040570<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Original Publication Date: <\/strong>\u00a0<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Publisher: <\/strong>\u00a0Duke University Press<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Language: <\/strong>\u00a0English<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Format: <\/strong>\u00a0Hardcover<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Pages: <\/strong>\u00a0264<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Rating: <\/strong>\u00a0\u00a0 <\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Notes: <\/strong>\u00a0Paperback edition ISBN 9780822349471.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Book_ID: <\/strong>\u00a0118803<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In his bestselling The Grapevine: A Report on the Secret World of the Lesbian (1965), Jess Stearn announced that most lesbians looked no different from other women: some were sex symbols, some were married to unsuspecting husbands. Robert J. Corber argues that The Grapevine exemplified a homophobic Cold War discourse that cast the femme as an invisible threat to the nation, fed by fears that college-educated women would reject marriage and motherhood and weaken the American family against totalitarianism. Where early twentieth-century homophobia defined the lesbian as a masculine woman, the Cold War reconceived her as a woman attracted to other women. Corber traces this shift through Hollywood films of the 1950s and 1960s, including All About Eve, The Children&#8217;s Hour and Marnie, and through the careers of Joan Crawford, Bette Davis and Doris Day.<\/p>\n","protected":false},"author":3,"featured_media":46464,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4378,4359,4354],"tags":[],"pub_year":[],"class_list":["post-45143","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-and-television","category-history","category-lesbian-studies"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.6 (Yoast SEO v28.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Cold War Femme<\/title>\n<meta name=\"description\" content=\"In his bestselling The Grapevine: A Report on the Secret World of the Lesbian (1965), Jess Stearn announced that most lesbians looked no different from other women: some were sex symbols, some were married to unsuspecting husbands. Robert J. Corber argues that The Grapevine exemplified a homophobic Cold War discourse that cast the femme as an invisible threat to the nation, fed by fears that college-educated women would reject marriage and motherhood and weaken the American family against totalitarianism. Where early twentieth-century homophobia defined the lesbian as a masculine woman, the Cold War reconceived her as a woman attracted to other women. Corber traces this shift through Hollywood films of the 1950s and 1960s, including All About Eve, The Children&#039;s Hour and Marnie, and through the careers of Joan Crawford, Bette Davis and Doris Day.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lesbianfunworld.com\/books\/cold-war-femme-by-robert-j-corber-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cold War Femme by Robert J. Corber\" \/>\n<meta property=\"og:description\" content=\"In his bestselling The Grapevine: A Report on the Secret World of the Lesbian (1965), Jess Stearn announced that most lesbians looked no different from other women: some were sex symbols, some were married to unsuspecting husbands. Robert J. 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