{"id":5250,"date":"2014-02-17T16:04:59","date_gmt":"2014-02-17T16:04:59","guid":{"rendered":"https:\/\/lesbianfunworld.com\/books\/?p=5250"},"modified":"2014-02-17T16:04:59","modified_gmt":"2014-02-17T16:04:59","slug":"slow-river-by-nicola-griffith-2","status":"publish","type":"post","link":"https:\/\/lesbianfunworld.com\/books\/slow-river-by-nicola-griffith-2\/","title":{"rendered":"Slow River by Nicola Griffith"},"content":{"rendered":"
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Slow River<\/em><\/h2>\n

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Nicola Griffith<\/h2>\n<\/div>\n
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Slow River<\/I> won both the Nebula Award and the Lambda Literary Award for author Nicola Griffith. The book’s near-future setting and devices place it firmly on the science fiction shelves, and the characters’ matter-of-fact sexuality further label it as lesbian SF. But make no mistake, Slow River<\/I> is no subgenre throwaway. Griffith’s skill at weaving temporal threads through the plot bring protagonist Lore van de Oest to tragic life, and you will genuinely care about her in the end. <\/p>\n

Born into a bioengineering family made wealthy by cleaning up after humanity, Lore leads a life of privilege and power. Riches don’t bring happiness, though, and the van de Oest family hides its share of dark secrets. Lore is kidnapped, but escapes from her captors when she realizes her family isn’t going to pay the ransom. Naked, alone, and wounded, she is saved by the brutally street-smart Spanner, who teaches Lore to survive by exploiting the Net (and human) weaknesses. To learn to trust, though, Lore must face her demons, one by one, until she can begin again.<\/p>\n

Griffith’s biotech-science details are accurate, and she fits them smoothly into the story in the manner of a cyberpunk master. This novel’s real strength is its characters, though. The van de Oest family, Spanner, even characters who appear only briefly, are all distinct and consistent–not to mention very human. Lore herself seems so personal that Griffith’s note about the story’s disturbing aspects not being autobiographical was probably wise. Slow River<\/I> is more than good enough to transcend genre and appeal to both queer SF readers and a more broad audience looking for an excellent character-driven SF story. –Therese Littleton<\/I><\/div>\n

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